Travellers Along the Way: A Robin Hood Remix by Aminah Mae Safi

A ragtag band of misfits gets swept up in Holy Land politics in Travelers Along the Way by Aminah Mae Safi, a thrilling YA remix of the classic legend of Robin Hood.

Jerusalem, 1192. The Third Crusade rages on. Rahma al-Hud loyally followed her elder sister Zeena into the war over the Holy Land, but now that the Faranji invaders have gotten reinforcements from Richard the Lionheart, all she wants to do is get herself and her sister home alive.

But Zeena, a soldier of honor at heart, refuses to give up the fight while Jerusalem remains in danger of falling back into the hands of the false Queen Isabella. And so, Rahma has no choice but to take on one final mission with her sister.

On their journey to Jerusalem, Rahma and Zeena come across a motley collection of fellow travelers—including a softspoken Mongolian warrior, an eccentric Andalusian scientist, a frustratingly handsome spy with a connection to Rahma's childhood, and an unfortunate English chaplain abandoned behind enemy lines. The teens all find solace, purpose and camaraderie—as well as a healthy bit of mischief—in each other's company.

But their travels soon bring them into the orbit of Queen Isabella herself, whose plans to re-seize power in Jerusalem would only guarantee further war and strife in the Holy Land for years to come. And so it falls to the merry band of misfits to use every scrap of cunning and wit (and not a small amount of thievery) to foil the usurper queen and perhaps finally restore peace to the land.

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In Girls That Never Die, award-winning poet Safia Elhillo reinvents the epic to explore Muslim girlhood and shame, the dangers of being a woman, and the myriad violences enacted and imagined against women’s bodies. Drawing from her own life and family histories, as well as cultural myths and news stories about honor killings and genital mutilation, she interlaces the everyday traumas of growing up a girl under patriarchy with magical realist imaginings of rebellion, autonomy, and power. 

Elhillo writes a new world: women escape their stonings by birds that carry the rocks away; slain girls grow into two, like the hydra of lore, sprouting too numerous to ever be eradicated; circles of women are deemed holy, protected. Ultimately, Girls That Never Die is about wrestling ourselves from the threats of violence that constrain our lives, and instead looking to freedom and questioning: 

[what if i will not die]
 
[what   will govern me then]

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Wake: The Hidden History of Women-Led Slave Revolts by Dr Rebecca Hall illustrated by Hugo Martínez

It's International Women's Day and I have a review on theme for you. My book club's February pick was by a Black historian and writer, Dr. Rebecca Hall. Along with illustrator Hugo Martinez, this comic reads as part memoir, part historical fiction. It is perfect for fans of fans of The Deep by Rivers Solomon, Parable of the Sower (the graphic novel edition & og), Maus by Art Spiegelman, and even Hot Comb by Ebony Flowers. 

Her research takes her to different libraries and archive buildings in cities across the country and to Europe and as she follows threads across court documents from the 1700s and cases with vague mentions of women who lead revolts on slave ships. Most of the record would be a footnote or referenced once then never again, as these historians and people of that age did not care to actually record in detail about cases that involved slaves. Dr. Hall was still able to use those documents and research to create a story of two women who may have lead one of these revolts. This entirely fictional narrative in the middle of the comic really showed just how little we as people of this day know about the past. It was said that a ship that had majority women onboard had a much higher liklihood of a revolt taking place aboard. 1 in 10 ships had some type of uprising on their voyage, and many ended with them thrown overboard or killed before ever making it to America. But these revolts still happened. Throughout the entire history of transatlantic slavery.

Since this was a Black historian's perspective, a lot of the comic would show just how painful it was to read many of these records. At a certain point, Dr. Hall's character in the story takes a break from reading about this dehumanizing system that persisted for so many years. It becomes clear that certain aspects of the history are not just erased, they're told in a way that intentionally hides information, especially on the topic of revolution. 

This type of work is essential in a world that: still has a prison industrial system, still oppresses women and especially Black women, is constantly reshaping US history in early education to not even teach kids about slavery, and has never once acknowleged it's complicit history in a genocide that lead to the Black American identity. If we don't know the history of revolution during the transatlantic slave trade, many of which were started by women according to Dr. Hall's conclusions, then how can we fight against today's oppression fully? Lost histories don't contain all the answers, but they certainly show patterns.   

For me, this was incredibly painful to read, but this story is so necessary. I hope it makes it into classrooms the way Maus or Persoplis did in mine. I highly recommend adding it to your tbr, sharing it with any history buffs in your life, and requesting it at your local library! 

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Wake: The Hidden History of Women-Led Slave Revolts by Dr. Rebecca Hall
Synopsis: Women warriors planned and led revolts on slave ships during the Middle Passage. They fought their enslavers throughout the Americas. And then they were erased from history.

Wake tells the story of Dr. Rebecca Hall, a historian, granddaughter of slaves, and a woman haunted by the legacy of slavery. The accepted history of slave revolts has always told her that enslaved women took a back seat. But Rebecca decides to look deeper, and her journey takes her through old court records, slave ship captain’s logs, crumbling correspondence, and even the forensic evidence from the bones of enslaved women from the “negro burying ground” uncovered in Manhattan. She finds women warriors everywhere.

Using a “remarkable blend of passion and fact, action and reflection” (NPR), Rebecca constructs the likely pasts of Adono and Alele, women rebels who fought for freedom during the Middle Passage, as well as the stories of women who led slave revolts in Colonial New York. We also follow Rebecca’s own story as the legacy of slavery shapes her life, both during her time as a successful attorney and later as a historian seeking the past that haunts her.

Illustrated beautifully in black and white, Wake will take its place alongside classics of the graphic novel genre, like Marjane Satrapi’s Persepolis and Art Spiegelman’s Maus. This story of a personal and national legacy is a powerful reminder that while the past is gone, we still live in its wake.

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